Whether an effect is meant to go unnoticed or is the whole point of the shot, we plan it from the start, with camera movement, lighting and the edit in mind. That way, even the most ambitious ideas feel like part of the film.
HOW WE APPROACH EACH
Motion Graphics
Type and product animation timed to the cut, so they move with the film instead of sitting on top of it.
Visual Effects
From invisible cleanup to shots that couldn’t exist in camera, built to match the light and lens they were shot with.
WHAT WE OFFER
01
Planning
What happens in camera, what happens in post, and how the two meet, worked out before the shoot.
02
On Set
Plates, references, and camera data captured on the day.
03
Finishing
Motion, compositing, color, and sound finished around the edit.
Knowing how a shot will be finished changes how it’s shot. Sometimes that means leaving room for an animation. Sometimes it means capturing an extra plate or planning a camera move around a composite.
Take the viewer inside a device in one location and back out in another. Let someone in the frame sweep one scene into the next. Turn a product benefit into something you can see. Motion and VFX let a commercial show things a camera alone can’t capture.
MOTION & VFX WORK
